Maximizing Exposure for a Company that Seems to Have it All

Last week I picked my brand and told you why. This week the research had to point at something I could make.
That hand-off is where most strategies quietly fall apart. I see it in my own client work at Serenity Marketing Agency: the audit is thorough, the recommendation is vague, nothing ships. So here is my decision, stated plainly
The content I selected
A comedy-driven, creator-made UGC video ad. Fifteen to forty-five seconds, shot vertically on a phone, posted to TikTok, Instagram Reels, and YouTube Shorts, then amplified with Spark Ads and creator whitelisting.
The important word in that sentence is comedy. Bloom is already making UGC. What it isn't making is anything you'd remember tomorrow.
The problem the research surfaced
I went into discovery expecting to find a visibility gap. There isn't one.
Bloom has roughly 12 billion views across TikTok, Instagram, and YouTube and sits in more than 50,000 retail locations (Saudi FoodTech, 2026). It's tracking toward about $500 million in revenue this year, up from around $300 million (Robert, 2026). It runs a network of about 59,000 affiliates and nearly all of that creative runs the same six-to-ten-second flavor and mixability hook (Latterly, n.d.-b).
That is enormous reach pushing a single template.
The template wasn't a mistake, it's how they gained notoriety. It's a liability now, because Bloom Sparkling Energy drives about 60% of sales (Saudi FoodTech, 2026), and that puts Bloom in the cooler — next to Alani Nu, which Celsius acquired for $1.8 billion (Celsius Holdings, 2025), and Poppi, which PepsiCo acquired for $1.95 billion (PepsiCo, 2025).
You cannot out-spend companies that size while running the creative they run. Bloom's only durable advantage in that cooler is being unmistakable, and humor is the cheapest distinctiveness available to any brand.
You cannot out-spend companies that size while running the creative they run. Bloom's only durable advantage in that cooler is being unmistakable, and humor is the cheapest distinctiveness available to any brand.
Why Does this work?
The persona from my week one discovery still drives this. Demographically, Bloom's customer base is roughly 85% female, concentrated between 18 and 34, in households earning $60K–$120K (Canvas Business Model, 2026). Psychographically, they're college-educated, they value flavor, aesthetics, and ingredient transparency, and the fastest-growing slice of them are wellness novices coming in through gut health rather than gym culture. Behaviorally, they discover products mid-scroll rather than through search, and 31% of women take a purchase action after watching a TikTok video compared with 22% of men (Negus Viveiros, 2024).
The format performance backs it: UGC drives about 29% higher web conversions, UGC ads earn roughly 4x higher click-through at 50% lower cost-per-click, 61% of Gen Z prefer UGC to any other format, and 87% of Gen Z trust online reviews more than advertising (Influee, 2026).
So, the question was never whether Bloom should use UGC. It already does, at scale. The question is what the UGC is allowed to communicate.
Content that has proven to work for other highly reputable companies
Liquid Death — Greatest Hates. A canned water company that went from about $3 million in revenue in 2019 to $130 million in 2022 — roughly a 4,233% increase — on the way to a $1.4 billion valuation (House of Marketers, 2025). Greatest Hates is a recurring album series where the lyrics are real hate comments about the brand, taken verbatim and uncensored. Volume 2 was a 14-song punk record featuring members of Rise Against and Alkaline Trio (Mamo, 2020). The customer experience team pulls the lyrics straight out of real emails and comments (Serra, 2020).
I chose it because the customers genuinely wrote it, and because it's a series rather than a one-off. Liquid Death's SVP of marketing, Dan Murphy, describes one of the brand's best-performing tactics as finding unpaid, unprompted, unbriefed organic posts and putting paid media behind them — letting the feed pick the winners before a dollar of media is spent (Hicks, 2026). Bloom could do that tomorrow with 59,000 affiliates.
Olipop — comment-section comedy and the five-cent PR kit.
The closest competitor doing this well: a functional beverage sold to the same woman on the same platform. In February 2025, Poppi shipped custom vending machines to 32 influencers before the Super Bowl. Olipop's comment put each machine at $25,000, which implied a campaign near $800,000 — a figure Poppi disputes, calling it fabricated and inflated by 60% (Hicks, 2025). The unboxing videos pulled millions of views, and the sentiment curdled — people asked why the machines hadn't gone to schools or nurses. Olipop spent nothing. It replied inside the comment sections of those videos ("For the record, those machines cost $25K each lol") and made itself the people's brand for free (Hicks, 2025). Then it sold 5,000 PR kits to actual customers for five cents each; they cleared out in under two minutes off a 30,000-person waitlist (Donaldson, 2025). Olipop reached roughly 586,400 TikTok followers and 4.2 million likes after pulling ad spend elsewhere to focus on creator relationships (SARAL, 2023.).
I chose it because the joke is a point of view, not a gag. It consistently says we're on your side, not the influencer's. Bloom's affiliates are real customers, so that angle is available and unclaimed.
Red Bull — the Soapbox Race. The brand Bloom now competes with on the energy shelf. Since 2000, across more than a hundred events worldwide, amateur teams build motorless vehicles and send them down an obstacle course in front of thousands of spectators, scored on showmanship as much as speed — a polite way of saying the event is engineered to produce hilarious failure (Red Bull, 2024). And Red Bull can afford to build them: an Adbeat pull on redbull.com shows 117 ads running in a single month across 198 publisher sites, 100% programmatic, with 43% of that creative being video and one landing page live for 666 days (Adbeat, 2026). That's the paid-media machine Bloom is standing next to. The Soapbox Race is the other half of Red Bull's model — every attendee becomes a camera instead of a line item (Aditya Shastri,2022).
I chose it because Red Bull doesn't brief the comedy. It builds a situation that generates comedy and lets the crowd film it. That's the unlock: instead of asking 59,000 affiliates to each invent a joke, give them one absurd, repeatable premise.
A good example to not follow
Bang Energy is the closest thing to Bloom's current model — fitness influencers and college ambassadors pushing dozens of UGC videos a month, roughly $300 million in sales against about $2,200 in traditional media (Extole, 2022), the fastest-growing energy drink in the country by 2020. Then Monster sued over deceptive health claims and acquired Bang's assets out of bankruptcy in 2023 (Latterly, 2025a).
That collapse isn't abstract to me. I was on the move crew that moved the founder out of his house after the sale — a sprawling multi-acre property in one of the most exclusive neighborhoods in South Florida. A single campaign or misinformation brought down a household name and a generation of legacy.
UGC volume is not a moat if the content is carrying claims the product can't back For context, I recall the founder of Bang Energy claiming that his formula was capable of curing alzheimer's, which his own influencers and staff most likely began to reiterate in pitches and day to day conversations.



A Comprehensive Campaign: Crash the Cooler
A format alone isn't a strategy, so here's how I'd launch it.
Bloom invites its affiliate network and its customers to submit a 30-second comedy spot for Bloom Sparkling Energy, shot vertically on a phone. One creative rule, borrowed from Liquid Death: the can can't be the punchline. Entries post publicly under a branded hashtag, a public vote narrows the field, and the winner takes cash plus the thing creators actually want — their spot becomes Bloom's paid creative for the quarter, running as a whitelisted Spark Ad with their handle still on it.
The precedent is Doritos' Crash the Super Bowl, which ran eight editions between 2006 and 2016 and drew more than 36,000 fan-made entries, with a fan-made spot cracking USA Today's Ad Meter top five every year of that run and finishing first four times. Doritos revived it for Super Bowl LIX and pulled more than 2,000 entries against a single $1 million prize (Notte, 2025).
It fits Bloom because the current affiliate program rewards compliance — 59,000 people making the same flavor demo — while a contest rewards distinctiveness. It also inverts the cost structure: 2,000 entries against one prize is 2,000 pieces of creative, and every entry is a Bloom ad whether it wins or not. That's the Red Bull mechanic. The public vote is the Olipop move, making customers rather than influencers the stars. And every entry gets screened so nothing carries a health claim Bloom can't back — the guardrail Bang didn't have.
Studying a brand this month too? Tell me what content type you landed on, and what almost talked you out of it — by connecting with me on LinkedIn below
References
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